Casino 1995 Kevin Pollak
- Kevin Pollak Casino
- Casino 1995 Kevin Pollak Vs
- Kevin Pollak Biography
- Casino 1995 Kevin Pollak Jr
- Casino 1995 Kevin Pollak Wife
Comedy Central named him on their Top 100 Comedians Of All Time list. He went on to star in his own comedy special Kevin Pollak: The Littlest Suspect (2010). He has also hosted his own talk show, Kevin Pollak's Chat Show (2009) and, as an avid poker player, participated in both Celebrity Poker Showdown (2003) and Poker Night Live (2018). Amazon.com: Casino (Widescreen 10th Anniversary Edition): Robert De Niro, Sharon Stone, Joe Pesci, James Woods, Kevin Pollak, Don Rickles, Alan King, Frank Vincent, Martin Scorsese, Barbara De Fina, Martin Scorsese. This movie was released in 1995 (25 years ago) and I have no idea in the world why for the very first time seeing in. Kevin Elliot Pollak (born October 30, 1957) is an American actor, comedian, impressionist and podcast host. He has appeared in over 80 films; his roles include Sam Weinberg in Rob Reiner's legal film A Few Good Men, Jacob Goldman in Grumpy Old Men and its sequel Grumpier Old Men; Todd Hockney in The Usual Suspects, Phillip Green in Martin Scorsese's Casino, and Bobby Chicago in End of Days. Casino (1995) Kevin Pollak as Phillip Green. Ace Rothstein: talking about Don The guy is history as far as I'm concerned. Phillip Green: You can't just fire him. Kevin Pollak's film career went into warp-drive in the 1990s, with such choice roles as Jacob in the two Grumpy Old Men flicks, Todd Hockney in The Usual Suspects (1995), Phillip Green in Casino (1995), and Boss Vic Koss in That Thing You Do (1996).
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Casino is a 1995 crime film directed by Martin Scorsese that follows a mobster and his rise to success while running a mob-controlled casino in Las Vegas. The film was inspired by the events surrounding the mob-controlled Stardust casino in Las Vegas during the 1970's. Considered the spiritual sequel to Goodfellas, the film reunites Scorsese, writer Nicholas Pileggi, and actors Robert De Niro and Joe Pesci, who play fictionalized versions of real-life figures Frank 'Lefty' Rosenthal and Anthony 'Tony the Ant' Spilotro. The film's cast includes Don Rickles, Frank Vincent, James Woods, and Sharon Stone, who received an Academy Award nomination for Best Actress in a Leading Role for her role as Ginger McKenna.
The following weapons were used in the film Casino (1995):
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WARNING! MAJOR SPOILERS AHEAD
Browning Hi-Power
A suppressed Browning Hi-Power is seen in Nicky Santoro's (Joe Pesci) hidden weapons compartment under his closet. Tony Dogs (Carl Ciarfalio) carries a Hi-Power akimbo with a Smith & Wesson Model 10HB while shooting up Remo's bar.
Kevin Pollak Casino
Smith & Wesson Model 10HB
Tony Dogs (Carl Ciarfalio) fires a Smith & Wesson Model 10HB from his left hand.
Colt Python
One of Tony Dogs' thugs carries a Colt Python revolver. The policemen who shoot Bernie Blue (Bret McCormick) also carry Pythons.
M1911-type
One of Tony Dogs' crew is armed with an M1911-type pistol when shooting up Remo's bar.
Walther PP
Nicky Santoro (Joe Pesci) uses a Walther PP to kill Anna Scott (Ffilliott Le Coque). One of the cops that shoot Bernie Blue plants a PP to justify them shooting him.
Smith & Wesson Model 15
Two mob hitmen (one of which is Frank Cullotta, the real-life inspiration behind Frank Marino) are armed with Smith & Wesson Model 15 revolvers during the final death montage.
High Standard Sharpshooter M
Assassins armed with suppressed High Standard Sharpshooter M .22 caliber pistols kill Andy Stone (Alan King).
Smith & Wesson 39
Nicky (Joe Pesci) keeps a suppressed Smith & Wesson 39 in his weapons safe. It is not a Model 59 as it lacks the double stack frame bulge, nor is it the Mk 22 Mod 0 'Hush Puppie', as it has the standard sights.
Uzi
One of Tony Dogs' thugs uses an Uzi when he shoots up a Kansas City bar. Frank Marino (Frank Vincent) and Dominick Santoro (Philip Suriano) later uses them they shoot up a cop's house.
Over and Under Shotgun
Billy Sherbert (Don Rickles) brings a Over and Under Shotgun to Sam 'Ace' Rothstein's house (Robert De Niro).
Casino 1995 Kevin Pollak Vs
Mossberg 500
One of Nicky's thugs, Jack Hardy (Jed Mills), uses a Mossberg 500 when shooting up the cop's house.
Kevin Pollak Biography
Casino 1995 Kevin Pollak Jr
Casino 1995 Kevin Pollak Wife
1995, R, 178 min. Directed by Martin Scorsese. Starring Robert De Niro, Sharon Stone, Joe Pesci, James Woods, Don Rickles, Alan King, Kevin Pollak, L.Q. Jones.
REVIEWED By Marjorie Baumgarten, Wed., Nov. 22, 1995
That Martin Scorsese is one of the modern masters of cinema is a fact that is reiterated through each of his movies. He always struggles to find new strategies for seeing beneath the surface of things and for new approaches to the telling of stories. Casino, however, cannot be viewed as one of Scorsese’s masterpieces. Yet, while certainly less than successful, I’m reluctant to call it a failure. Because, then, I’d have to revoke my love relationship with the film’s spectacular opening sequence (let’s just say it begins with a magnificent bang). The term “failure” would also negate the novelty of certain shots and scenes, like the overhead shot of Las Vegas that presents the city as a mecca of light in an otherwise barren sea of darkness. Leave it to Scorsese to expose the Vegas gestalt in a new and original manner. Eye-opening material like this is peppered throughout the movie. Then, of course, it is always a pleasure to watch De Niro at work, especially when at work in a juicy role like that of Sam “Ace” Goldstein, the Mob’s consummate bookie chosen by the bosses to front their “legit” Vegas casino. Believing in De Niro as a Jew is a bit of a stretch, however he’s good enough that you don’t dwell on how you can take the goy out of Little Italy but …. Better than watching De Niro work alone is the pleasure of watching De Niro working a scene with Joe Pesci, who is cast as Nicky Santoro, the New York muscle brought in to smooth over the casino’s inevitable rough spots. And to answer the question on everyone’s lips – Can Sharon Stone cut it? – well, yes and no. She fares better than any of her previous work might have led you to expect, but no one will ever mistake her for an acting giant. The problems with her characterization can largely be laid at the feet of Scorsese, a filmmaker whose body of work has never evidenced much sensitivity toward his female characters. For every Alice Doesn’t Live Here Anymore and Boxcar Bertha there are dozens of Johnny Boys and Travis Bickles roaming the Mean Streets, dividing women up into the virtuous and the fallen. Stone’s top-of-the-heap casino hustler could be a fascinating character, but in Casino she is simply there to be the object of Scorsese’s affections and subsequent scorn. The story is about what it is like for Ace living with her and living without her; not the other way around. Scorsese depicts the boys’ clubs, whether the movie is The Last Temptation of Christ, The Last Waltz, The Color of Money, Cape Fear or GoodFellas. And speaking of GoodFellas, that movie may just be the source of many of Casino’s shortfalls. Casino reminds you in too many ways of the brilliance of GoodFellas, and in a way that dooms Casino to remain in its shadow. It more than just the resonant re-pairings of De Niro and Pesci and novelist/co-scriptwriter Nicholas Pileggi and Scorsese. Structurally, it tries to ape the climactic build-up of GoodFellas, but never quite blasts off as the climax of GoodFellas so viscerally does. Casino never really seems to have a point, and in a movie just a couple minutes shy of three hours, that really becomes a palpable problem. As a whole, the movie does not crap out at the table, but neither does it come up with a fistful of dollars.